4 OMG, bitch, don't waste that yummy cum I want it!ĥ. 3 No wonder we tiny clitted bitches are sissies.Ĥ. 3 Looking down at my clitty-cock and heels is always so erotic.ģ. 4 Mmm, would I luv to wrap my lips around that sweet clittyĢ. It is safe to say A Place To Bury Strangers have officially made a name for themselves, and it is rather rewarding to know their style is here to stay.1. Exploding Head holds as one of the most consistent, mind-blowing releases this year, unwavering of an any possible identity crisis. This album needs to be cranked as a successful listen is one that is followed by ringing eardrums and a deep exhale of contentment. A Place To Bury Strangers would feel a grave injustice if their listeners kept the volume lower than the maximum allotted for any set of speakers or headphones. Throughout the forty-three minute course of the album, the mass of sound never overwhelms, simply bolsters every thick, grooving bass riff. The closer becomes engulfed with a persistent, chugging bass guitar until a cataclysmic wall of sound brings closure to perhaps the album’s finest moment. Lastly shines, “I Lived My Life to Stand in the Shadow of Your Heart,” the epic marquee of Exploding Head that starts with a loud and passionate bass riff as vocal melodies sit atop a continuous instrumental build-up. His side hobby of making pedals allows songs like “Keep Slipping Away” to sound as if a piano produced the main riff, which is inventive enough without self-imposed wankery. Ackermann’s use and manipulation of pedals is all A Place To Bury Strangers needs in order to be successful. The drumming heartbeat of “Lost Feeling” pulsates as guitars screech and reverb in-and-out as Ackermann sings ‘I’m dying to meet you/I’m dying to see you/I’m dying to hold your hand/ I’m dying to have you/ some things never go away/ but the feeling’s gone, the feeling is gone.’ Clearly, even the lyrics are removed of any type of sugar-coating. Once again, it is this sort of self-esteem that allows A Place To Bury Strangers to be removed of any unnecessary experimentation in order to separate themselves from their self-titled album and other bands.
With every riff, A Place To Bury Strangers burst with confidence and the safety knowing that what they are writing is in perfect harmony. Never flashy, yet always effective, whether the bass glosses a bridge or introduces any particular track it is simply divine. “Smile When You Smile” swirls behind hypnotizing snare hits, as its pop-laden verses manage the song until it fades into the bass-heavy “Everything Always Goes Wrong.” In fact, the bass riffs in Exploding Head are astonishingly simple in theory, yet the removal would be detrimental to any sort of album identity (it helps when the bassist does not act as an underlying patsy to the guitar for the entire album). Ackermann sings when necessary, songs end when they should, and every hook, whether vocally or instrumentally, compliments almost too well. In short, Exploding Head was planned perfectly, starting with the vocal management. Softly spoken, but never overpowered, guitarist/singer Oliver Ackermann does no harm to any particular track. What makes A Place To Bury Strangers so appealing is their fusion of dissonant guitar riffs that mingle with gorgeous vocal work all within a dense atmosphere. In fact, to an unsuspecting listener, A Place To Bury Strangers’ newest album, Exploding Head might as well be the most badass thing they have ever heard.
And while they account for a relative minority, there are people whom refuse to listen to dated music (i.e. With their self-titled debut, we found a stripped down, poorly produced album that was rightly praised despite its lack of fine tuning.
What they are doing now is far more important. So there, that will be the last time A Place To Bury Strangers will be compared to their influences. A Place To Bury Strangers are basically the second coming of the legendary shoegaze/post-punk bands of the past twenty/thirty years. Review Summary: Exploding Head is the next defining step in A Place To Bury Strangers' short span
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